Searching for “all Juice WRLD songs” sounds simple until the catalogue starts multiplying. There are two studio albums released during his lifetime, three posthumous studio albums, a collaborative project with Future, early SoundCloud EPs, anniversary editions, deluxe editions, soundtrack appearances, features, remixes, skits and a large archive of recordings that were never officially released. Some services count videos as album tracks. Others count clean and explicit versions twice. Fan databases may add leaks, snippets and alternate mixes as if every file were a separate finished song.
This guide sorts that confusion into a usable map. It puts the official Juice WRLD albums and major projects in order, records the core tracklists, identifies his first publicly known song, explains the final release of his lifetime, checks the newest official release in 2026 and separates the most-streamed songs from an editorial list of the best.
Quick answer: Juice WRLD released two solo studio albums while alive—Goodbye & Good Riddance and Death Race for Love—plus the Future collaboration WRLD ON DRUGS. Three solo studio albums followed posthumously: Legends Never Die, Fighting Demons and The Party Never Ends. “Forever,” posted to SoundCloud in 2015 under the name JuicetheKidd, is generally documented as his first public song. “Bandit” was the final newly issued single during his lifetime. No verified public session log establishes the last song he recorded. As of July 20, 2026, his newest official lead-billed release is “We Don’t Get Along” with Marshmello, released March 6, 2026.
For listeners who want only a starting point, begin with “Lucid Dreams,” “All Girls Are the Same,” “Robbery,” “Lean Wit Me,” “Wishing Well,” “Righteous,” “Armed and Dangerous,” “Flaws and Sins,” “Legends” and “Empty Out Your Pockets.” For everyone else, the complete map begins below.
Researched and updated: July 20, 2026. Streaming totals are a dated snapshot and will continue to change.
Juice WRLD songs: quick facts
| Question | Verified answer |
|---|---|
| What was Juice WRLD’s real name? | Jarad Anthony Higgins |
| When was he born? | December 2, 1998 |
| When did he die? | December 8, 2019, aged 21 |
| How many solo studio albums are in the official catalogue? | Five: two lifetime albums and three posthumous albums |
| What is the Future collaboration? | Future & Juice WRLD Present… WRLD ON DRUGS, a 16-track collaborative mixtape |
| What was Juice WRLD’s first song? | “Forever,” uploaded to SoundCloud in 2015 as JuicetheKidd, is generally cited as his first public track |
| What was his breakthrough? | “All Girls Are the Same” created momentum; “Lucid Dreams” became the crossover hit |
| What was the last single released while he was alive? | “Bandit” with YoungBoy Never Broke Again, released October 4, 2019 |
| What is the newest Juice WRLD song? | As of July 20, 2026: “We Don’t Get Along” with Marshmello, released March 6, 2026 |
| What is his most-streamed lead song on Spotify? | “Lucid Dreams,” with about 3.17 billion streams in the July 19, 2026 snapshot used for this guide |
| What was his biggest US chart hit as lead artist? | “Lucid Dreams,” which peaked at No. 2 on the Billboard Hot 100 |
| What genres describe the songs? | Hip-hop, emo rap, melodic rap and trap, with pop-punk, rock, R&B and pop influence |
The catalogue’s continuing reach is unusually large for an artist whose mainstream career lasted less than two years. A third-party Spotify tracker counted approximately 46.3 billion streams across all credited rows on July 19, 2026, with more than 10.2 million streams arriving that day. Those rows include lead songs, features, remixes and duplicate versions, so they should be read as a platform-performance snapshot—not as a clean count of unique songs.
What counts as an official Juice WRLD song?
A useful Juice WRLD song list needs rules. Without them, “all songs” becomes an ever-expanding mixture of finished records, voice memos, fan titles and duplicated files. This guide uses officially distributed audio as the main boundary.
- Core official song: audio released by Juice WRLD, Grade A, Interscope or another authorised label on a recognised platform.
- Official feature: a song led by another artist that officially credits Juice WRLD.
- Official remix or alternate version: a separately released remix, clean edit, sped-up version, anniversary addition or revised mix. It is a release row, but not necessarily a completely different composition.
- Interlude or skit: an official album track, although it may not contain a conventional Juice WRLD performance.
- Unreleased recording: a recording known to exist but not officially distributed. A leak does not become official because it is popular.
- Snippet or session fragment: incomplete audio that should not be counted as a finished song without reliable release information.
This distinction explains why totals online disagree. Legends Never Die, for example, appears as a 22-song core album, a 27-item video version, a 26-track fifth-anniversary audio edition and a 34-item anniversary/video package on different storefronts. Counting every page result as a separate song would inflate the catalogue. The same problem appears when a clean album, explicit album, single version and video are all indexed separately.
It also matters on collaborative projects. WRLD ON DRUGS has 16 tracks under joint album billing, but not every track contains the same performers. “Oxy” is a Future track featuring Lil Wayne, “Afterlife” is centred on Future, and “Transformer” is a Future and Nicki Minaj performance. The album belongs in Juice WRLD’s discography; its full 16-track length should not be converted automatically into “16 solo Juice WRLD songs.”
Juice WRLD albums and major projects in order
| Year | Project | Type | Core count | Status |
|---|---|---|---|---|
| 2015–2017 | Early JuicetheKidd / SoundCloud releases | Songs and self-released EPs | Varies | Lifetime |
| 2017 | JuiceWRLD 9 9 9 | Self-released EP | Early editions vary by archive | Lifetime |
| 2018 | Goodbye & Good Riddance | Solo studio album | 16-track standard sequence | Lifetime |
| 2018 | Too Soon.. | EP | 2 | Lifetime |
| 2018 | Future & Juice WRLD Present… WRLD ON DRUGS | Collaborative mixtape | 16 | Lifetime |
| 2019 | Death Race for Love | Solo studio album | 22; later bonus version 23 | Lifetime |
| 2020 | Legends Never Die | Solo studio album | 22 | Posthumous |
| 2021 | Fighting Demons | Solo studio album | 18; complete edition 19 | Posthumous |
| 2024 | The Pre-Party / The Pre-Party (Extended) | EP | 2 / 4 | Posthumous |
| 2024 | The Party Never Ends | Solo studio album | 18; 2.0 edition 19 | Posthumous |
| 2025 | Legends Never Die (5 Year Anniversary Edition) | Expanded edition | 26 audio tracks on the principal expanded edition | Posthumous |
| 2026 | “We Don’t Get Along” with Marshmello | Single | 1 | Posthumous |
The cleanest answer to “how many Juice WRLD albums are there?” is five solo studio albums. Add WRLD ON DRUGS when discussing his major album-length projects. Early EPs, expanded editions and compilations belong in the wider discography but should not be relabelled as new studio albums.
Early SoundCloud songs and the 999 era
Before Juice WRLD was a chart artist, Jarad Higgins recorded on a phone and posted to SoundCloud as JuicetheKidd. “Forever,” uploaded in 2015, is the track most consistently documented as his first public song. Early releases such as Juiced Up the EP, Twilight Zone, Affliction, Heartbroken in Hollywood 9 9 9, BingeDrinkingMusic and Nothings Different </3 show a young artist moving from straightforward rap toward the emotionally exposed melody that later defined his records.
JuiceWRLD 9 9 9, released in 2017, is the decisive early project. It connected him with the musical identity listeners now recognise: airy guitar and keyboard loops, flexible trap drums, conversational detail, sung hooks and verses that could switch between vulnerability and bravado. “Lucid Dreams,” “Moonlight,” “Let Me Know (I Wonder Why Freestyle)” and “Rainbow” are among the key songs associated with that period.
Early project tracklists are harder to standardise than the major-label albums. Original uploads were removed or reorganised; later compilations reused songs; fan mirrors introduced alternate titles; and streaming reissues did not always reproduce the original package. For that reason, this guide does not pretend that one unofficial archive is a definitive first-edition tracklist.
The meaning of 999 is more stable. Juice WRLD described it as reversing a negative situation—turning struggle into forward movement. That idea became a project title, symbol and fan identity. It also connects to Live Free 999, the organisation founded by his mother, Carmela Wallace, to support mental-health and substance-dependency programs.
The breakthrough: “All Girls Are the Same” and “Lucid Dreams”
“All Girls Are the Same” supplied the first major wave. Nick Mira’s open production left space for Juice WRLD’s weary melody, while Cole Bennett’s Lyrical Lemonade video gave the song a visual identity suited to the SoundCloud era. The track’s success helped lead to his Grade A and Interscope deal.
“Lucid Dreams” turned that momentum into mass recognition. Its Sting-derived guitar figure is instantly identifiable, but the vocal performance is the centre: a simple melodic shape, clean emotional premise and enough repetition to feel immediate on first listen. It reached No. 2 on the Billboard Hot 100 and later received Diamond certification from the RIAA. In the July 2026 Spotify snapshot used here, it remained his largest lead song by a wide margin.
Too Soon.. (2018)
The two-song EP Too Soon.. arrived after the deaths of Lil Peep and XXXTENTACION. It contains:
- “Legends”
- “Rich and Blind”
Both songs became central to Juice WRLD’s legacy because they address youth, loss and survival with the directness that made listeners feel spoken to rather than observed. “Legends” became one of his most-streamed lead songs; “Rich and Blind” remains a fan favourite that shows how easily he could place reflection inside a melodic rap structure.
Goodbye & Good Riddance songs
Goodbye & Good Riddance was released on May 23, 2018. It is the clearest entry point to Juice WRLD because the album creates one continuous emotional environment: breakup shock, mistrust, intoxication, memory and the effort to act unaffected. Its short skits frame the sequence without distracting from the songs.
The standard 16-track sequence below follows the official Interscope LP tracklist:
| # | Track | Role in the album |
|---|---|---|
| 1 | Intro | Scene-setting spoken opening |
| 2 | All Girls Are the Same | Breakthrough statement of hurt and distrust |
| 3 | Lucid Dreams | The crossover hit and album centrepiece |
| 4 | Lean Wit Me | Dependency framed as invitation and warning |
| 5 | Wasted (feat. Lil Uzi Vert) | Melodic duet with a brighter surface |
| 6 | I’m Still | Lingering attachment after the breakup |
| 7 | Betrayal [Skit] | Short narrative transition |
| 8 | Candles | Anxiety, mistrust and emotional exhaustion |
| 9 | Scared of Love | Fear of intimacy over a spacious instrumental |
| 10 | Used To | One of the record’s starkest breakup songs |
| 11 | Karma [Skit] | Second narrative transition |
| 12 | Hurt Me | Originally known to early listeners as “Sticks & Stones” |
| 13 | Black & White | Celebration with an ominous underside |
| 14 | Long Gone | Acceptance beginning to replace fixation |
| 15 | End of the Road | A darker late-album reckoning |
| 16 | I’ll Be Fine | Defiant closing claim complicated by the verses |
Later digital and anniversary editions change the visible sequence. “Armed and Dangerous” was added to prominent streaming versions; the 2021 anniversary edition added “734” and the “Lucid Dreams” remix with Lil Uzi Vert; the fifth-anniversary expansion added “Glo’d Up” and “No Good.” These are official Juice WRLD songs, but they were not all part of the original 16-track LP sequence.
Best songs on Goodbye & Good Riddance
“Lucid Dreams” is the historic hit, but the album’s strongest listening run is broader. “All Girls Are the Same” established the voice. “Lean Wit Me” balances catchiness with a clearly destructive situation. “I’m Still” shows how naturally Juice could stretch conversational phrases into melody. “Used To” is emotionally unguarded without needing a complicated arrangement. “I’ll Be Fine” ends the album on exactly the contradiction that powered his early work: confidence and distress occupying the same performance.
For the album’s happiest-sounding moment, choose “Wasted.” For the best deep cut, choose “Used To” or “I’m Still.” For a new listener who wants one song beyond the obvious hits, start with “Lean Wit Me.”
Future & Juice WRLD Present… WRLD ON DRUGS songs
Released October 19, 2018, WRLD ON DRUGS is a 16-track collaborative mixtape by Future and Juice WRLD. It arrived only five months after Goodbye & Good Riddance and placed Juice beside one of the melodic trap artists who had helped shape the environment around his music.
The project is less unified than his debut because it behaves like a fast, guest-heavy studio run. That looseness is part of its appeal. Juice can trade melodies with Future, rap more aggressively, move through Atlanta production styles and sound comfortable beside established guests.
| # | Track | Billing / note |
|---|---|---|
| 1 | Jet Lag | Future and Juice WRLD featuring Young Scooter |
| 2 | Astronauts | Future and Juice WRLD |
| 3 | Fine China | Future and Juice WRLD; the project’s biggest crossover song |
| 4 | Red Bentley | Featuring Young Thug |
| 5 | Make It Back | Juice WRLD-centred solo showcase |
| 6 | Oxy | Future featuring Lil Wayne; no Juice WRLD lead verse |
| 7 | 7 AM Freestyle | Future and Juice WRLD |
| 8 | Different | Featuring Yung Bans |
| 9 | Shorty | Future and Juice WRLD |
| 10 | Realer N Realer | Future and Juice WRLD |
| 11 | No Issue | Future and Juice WRLD |
| 12 | WRLD on Drugs | Future and Juice WRLD |
| 13 | Afterlife | Future-centred track |
| 14 | Ain’t Livin Right | Featuring Gunna |
| 15 | Transformer | Future featuring Nicki Minaj; no Juice WRLD lead verse |
| 16 | Hard Work Pays Off | Future and Juice WRLD closing track |
The official Apple Music project page confirms the October 19 release date, 16-song length and 49-minute runtime. The performer notes above are important: a joint project is not the same thing as 16 new solo songs from each artist.
Best songs on WRLD ON DRUGS
“Fine China” is the obvious starting point because the two voices lock into a simple, bright refrain without losing the project’s darker undertone. “Realer N Realer” has one of their cleanest back-and-forth structures. “Hard Work Pays Off” gives the tape a satisfying close, while “7 AM Freestyle” captures the speed and looseness that made the collaboration possible. “Make It Back” is the clearest choice for listeners who want Juice WRLD without a crowded guest list.
Listeners interested in the project’s freestyle energy can compare “7 AM Freestyle” with BTR’s breakdown of Lil Wayne’s freestyle method and performances. Wayne appears on “Oxy,” although that particular track is Future-led rather than a Juice-and-Wayne exchange.
Death Race for Love songs
Death Race for Love, released March 8, 2019, is Juice WRLD’s second solo studio album and the last album released during his lifetime. It debuted at No. 1 on the Billboard 200 and expanded almost every part of his sound. The breakup concept of the debut gives way to a larger emotional range: new love, fear of loss, fame, paranoia, aggression, absurd humour and long-form introspection.
The album is also evidence of his rapid studio process. Twenty-two tracks stretch across more than 72 minutes, yet the performances keep changing shape: singing, straight rap, double-time bursts, pop-rock melody, dancehall colour and multi-part structures. The official Interscope CD tracklist is:
| # | Track | Listening note |
|---|---|---|
| 1 | Empty | A vulnerable opener with one of his strongest melodic refrains |
| 2 | Maze | Anxiety and disorientation over compact Nick Mira production |
| 3 | HeMotions | Emotional instability framed with a lighter bounce |
| 4 | Demonz (feat. Brent Faiyaz) – Interlude | Guest interlude led by Brent Faiyaz |
| 5 | Fast | Reflection on fame and life moving too quickly |
| 6 | Hear Me Calling | Melodic single with dancehall and pop colour |
| 7 | Big | A harder, more boastful rap performance |
| 8 | Robbery | The album’s largest hit and a signature heartbreak ballad |
| 9 | Flaws and Sins | Warm, detailed love song and fan favourite |
| 10 | Feeling | Playful flexing with an elastic vocal pocket |
| 11 | Syphilis | Aggressive, shouted performance over horror-tinged trap |
| 12 | Who Shot Cupid? | Heartbreak presented through a memorable central image |
| 13 | Ring Ring (with Rvssian feat. Clever) | Pop-punk unease translated into melodic rap |
| 14 | Desire | Direct romantic song with an understated arrangement |
| 15 | Out My Way | More confrontational rap energy |
| 16 | The Bees Knees | Two-part structure displaying contrasting flows |
| 17 | ON GOD (feat. Young Thug) | Animated guest collaboration |
| 18 | 10 Feet | Dense rapping over jazz-inflected production |
| 19 | Won’t Let Go | Devotional love song with darker implications |
| 20 | She’s the One | Soft-focus romantic deep cut |
| 21 | Rider | Loyalty and mistrust inside a compact hook |
| 22 | Make Believe | A dramatic closer returning to destructive romance |
A 2022 bonus-track version adds “Bandit” with YoungBoy Never Broke Again as track 23. Apple Music explicitly identifies “Bandit” as the sole addition to that edition, so it should not be described as part of the original March 2019 sequence.
Best songs on Death Race for Love
“Robbery” is the commercial centre, but Death Race for Love rewards a wider shortlist. “Empty” may be the most complete expression of Juice WRLD’s melodic style. “Fast” turns fame into a feeling of acceleration rather than a victory speech. “Flaws and Sins” is one of his most convincing love songs because its affection sounds specific rather than generic. “The Bees Knees” demonstrates range within one track. “10 Feet” reminds listeners that the singer of “Lucid Dreams” could also deliver tightly packed rap verses.
If you prefer sad Juice WRLD songs, start with “Empty,” “Robbery” and “Who Shot Cupid?” If you want love songs, use “Flaws and Sins,” “Desire” and “Won’t Let Go.” If you want technical rap and energy, play “Big,” “Syphilis,” “The Bees Knees” and “10 Feet.”
Why Death Race for Love remains the key album
The debut is tighter; the second album is more revealing. It shows the full spread of his ability before posthumous curation became part of the listening experience. Juice WRLD could find an effective melody quickly, but he was not locked into one mood or one cadence. The album moves from whispery introspection to shouted distortion and from pop structure to extended freestyle-like passages.
That flexibility is easier to hear after learning the difference between written composition and freestyle rap as a creative method. Improvisation did not require every finished song to sound like a radio cypher. It let him generate melodies, hooks and complete takes while producers shaped the record around the strongest material.
Legends Never Die songs
Legends Never Die was released July 10, 2020, seven months after Juice WRLD’s death. It became his first posthumous studio album and debuted at No. 1 on the Billboard 200 with 497,000 album-equivalent units in its opening week. That was the largest No. 1 debut of 2020 at the time and made the release one of the defining posthumous albums of the streaming era.
The album’s 22-track core sequence, confirmed by the official Interscope vinyl listing, is:
| # | Track | Listening note |
|---|---|---|
| 1 | Anxiety | Spoken introduction built from Juice WRLD’s voice |
| 2 | Conversations | Catchy anxiety metaphor and fast-moving melody |
| 3 | Titanic | Success and instability in the same frame |
| 4 | Bad Energy | An attempt to release emotional pressure |
| 5 | Righteous | Intimate lead single with spacious production |
| 6 | Blood on My Jeans | Romantic commitment and street imagery |
| 7 | Smile (with The Weeknd) | Bittersweet pop collaboration |
| 8 | Tell Me U Luv Me (with Trippie Redd) | Urgent duet built around dependence |
| 9 | Hate the Other Side | With Marshmello, Polo G and The Kid LAROI |
| 10 | Get Through It | Short spoken transition |
| 11 | Life’s a Mess (feat. Halsey) | Hopeful connection inside an anxious song |
| 12 | Come & Go (with Marshmello) | Rap, pop-rock and electronic crossover |
| 13 | I Want It | Soft, floating melodic performance |
| 14 | Fighting Demons | Internal struggle expressed as an ongoing battle |
| 15 | Wishing Well | One of his most direct songs about dependency and distress |
| 16 | Screw Juice | Defiance and isolation over harder drums |
| 17 | Up Up and Away | Weightless melody masking a difficult emotional state |
| 18 | The Man, the Myth, the Legend | Interlude built from peer commentary |
| 19 | Stay High | Compact, energetic song with a persistent darker theme |
| 20 | Can’t Die | Mortality, memory and emotional numbness |
| 21 | Man of the Year | Rock-influenced celebration and self-examination |
| 22 | Juice WRLD Speaks From Heaven | Spoken outro |
Edition differences require attention. A 21-track version existed before “Smile” was added; video editions include music videos as extra rows. The 2025 fifth-anniversary edition expands the audio programme with songs including “The Way” with XXXTENTACION, “In My Head,” “Face 2 Face” and “All Life Long.” Some storefronts then append videos, producing a 34-item page. The principal fifth-anniversary audio edition has 26 tracks, not 34 newly distinct songs.
Best songs on Legends Never Die
“Righteous” is the album’s most carefully balanced track: intimate, melodic and spacious without feeling unfinished. “Wishing Well” became a defining song because it presents distress with almost uncomfortable clarity. “Conversations” and “Stay High” supply energy without abandoning the album’s central conflict. “Come & Go” proves Juice WRLD’s vocal style could carry a large electronic-pop arrangement. “Up Up and Away” is the deep cut for listeners who prefer softer melody.
“The Way,” added for the fifth anniversary, pairs vocals from Juice WRLD and XXXTENTACION. Because both artists’ catalogues contain complex posthumous releases, readers looking for the other half of that collaboration can use BTR’s complete XXXTENTACION songs and albums guide.
Fighting Demons songs
Fighting Demons arrived December 10, 2021. Its title comes from a song already used on Legends Never Die, but the album itself is a separate 18-track project. Compared with the first posthumous album, it is darker and less celebratory. The sequence repeatedly returns to dependency, isolation, fear, fame and the desire to survive one’s own habits.
The standard physical sequence below is verified against the official Interscope vinyl tracklist:
| # | Track | Listening note |
|---|---|---|
| 1 | Burn | Cinematic opening built around mounting pressure |
| 2 | Already Dead | Emotional exhaustion expressed without distance |
| 3 | You Wouldn’t Understand | Isolation, defence and melodic momentum |
| 4 | Wandered to LA (with Justin Bieber) | Pop collaboration about a relationship under strain |
| 5 | Eminem Speaks | Spoken interlude about addiction |
| 6 | Rockstar in His Prime | Fame unable to resolve inner turmoil |
| 7 | Doom | Resignation carried by a smooth vocal pocket |
| 8 | Go Hard | Romantic loyalty over restrained production |
| 9 | Juice WRLD Speaks | Spoken interlude |
| 10 | Not Enough | One of the album’s more immediate melodic hooks |
| 11 | Feline (with Polo G & Trippie Redd) | Guest-heavy rap collaboration |
| 12 | Relocate | Family, success and the consequences of visibility |
| 13 | Juice WRLD Speaks 2 | Second spoken interlude |
| 14 | Until the Plug Comes Back Around | A bleak cycle presented through a memorable refrain |
| 15 | From My Window | Withdrawal from the outside world |
| 16 | Girl of My Dreams (with SUGA of BTS) | International melodic collaboration |
| 17 | Feel Alone | Loneliness and hope competing in the same performance |
| 18 | My Life in a Nutshell | Somber closing summary |
Fighting Demons (Complete Edition) contains 19 tracks and adds “Go Hard 2.0,” a longer version that restores an additional verse. Subsequent expanded and digital-deluxe pages add “Cigarettes,” “Sometimes,” “Legends” and “Rich and Blind,” while some include video rows. Again, the storefront’s largest number is not a reliable count of newly composed songs.
Best songs on Fighting Demons
“Burn” has the strongest album-opening scale. “Already Dead” is the emotional centre. “Not Enough” is a concise example of how Juice WRLD could make an anxious thought feel immediately singable. “Relocate” offers concrete family detail that distinguishes it from more general songs about fame. “Feel Alone” and “My Life in a Nutshell” make the closing stretch heavy but coherent.
“Go Hard 2.0” is preferable to the shorter version for listeners who want the complete vocal idea. “Cigarettes” and “Sometimes” are essential official songs from the extended era even though they sit outside the original 18-track physical sequence.
The Pre-Party and The Pre-Party (Extended) songs
The Pre-Party began as a two-song release on September 9, 2024—9/9, matching the 999 symbolism associated with Juice WRLD. The two opening tracks were “World Tour (Aquafina)” and “Lightyears” with Young Thug. The extended edition added “Both Ways” and “Cavalier.”
The official Universal Music Canada announcement gives the extended sequence as:
- Both Ways
- Cavalier
- World Tour (Aquafina)
- Lightyears (with Young Thug)
This small project works better as a bridge than as a miniature concept album. “World Tour (Aquafina)” and “Cavalier” emphasise the confident, kinetic Juice WRLD that can disappear behind the heartbreak label. “Both Ways” has a minimal bounce, while “Lightyears” returns to the easy vocal chemistry heard in earlier Young Thug collaborations.
The Party Never Ends songs
The Party Never Ends was released November 29, 2024, nearly five years after Juice WRLD’s death. Interscope describes it as his final album. That wording means the final planned Juice WRLD studio album; it does not mean the label can never issue another single, feature, anniversary track or archival collaboration. The 2026 release of “We Don’t Get Along” makes that distinction necessary.
The original digital album contained 18 tracks. The Party Never Ends 2.0 expanded it to 19 with “Empty Out Your Pockets.” The following sequence comes from the official Interscope CD page:
| # | Track | Listening note |
|---|---|---|
| 1 | The Party Never Ends | Short scene-setting opener |
| 2 | Misfit | Alienation turned into an accessible refrain |
| 3 | AGATS2 (Insecure) (with Nicki Minaj) | Sequel title connecting to his breakthrough era |
| 4 | Lace It (with Eminem and benny blanco) | Dark reflection on substance use and rap culture |
| 5 | Cuffed | Loose, upbeat studio energy |
| 6 | Empty Out Your Pockets | Added for the 2.0 sequence; a major streaming favourite from the album |
| 7 | KTM Drip | Fast, confident performance over bright production |
| 8 | Love Letter | Melodic relationship song |
| 9 | Condone It | Romance, risk and self-awareness |
| 10 | Goodbye | The Kid LAROI tribute/interlude; not a Juice WRLD vocal song |
| 11 | Party by Myself | Isolation inside the album’s party framing |
| 12 | Adore You | Direct romantic favourite |
| 13 | Celebrate (with Offset) | Guest collaboration with a brighter surface |
| 14 | Jeffrey | Compact flex-heavy performance |
| 15 | Barbarian | Aggressive freestyle-like momentum |
| 16 | Best Friend (with Fall Out Boy) | Pop-punk connection made explicit |
| 17 | Floor It | Energetic melodic rap deep cut |
| 18 | Oxycodone | Somber addiction-focused song |
| 19 | Spend It | Reflective closing track |
There are two counting traps here. First, “Goodbye” is performed by The Kid LAROI as a tribute, so the 19-track package does not contain 19 Juice WRLD vocal performances. Second, “Empty Out Your Pockets” was added immediately after the original version, which is why one service may display 18 tracks while another displays 19.
Best songs on The Party Never Ends
“Empty Out Your Pockets” is the clearest consensus pick. It combines an immediate Nick Mira-produced loop, effortless vocal movement and enough emotional ambiguity to appeal beyond the core fan base. “Party by Myself” is the album’s conceptual centre because it reveals solitude behind the title’s celebration. “KTM Drip” and “Barbarian” serve listeners who want Juice rapping with more force. “Adore You” is the strongest uncomplicated love song, while “Oxycodone” supplies the most sobering late-album moment.
“Lace It” is important but difficult. Eminem’s contribution turns the record toward a broader warning about addiction and artist deaths. Readers interested in his technical approach can continue to BTR’s Eminem freestyle guide; the two artists also share the global hit “Godzilla,” on which Juice WRLD supplied the hook.
What were Juice WRLD’s first, last and newest songs?
These questions look factual, but each word needs a definition. “First” could mean first upload, first song made with Nick Mira, first major-label single or first chart hit. “Last” could mean last recording session, last single released during his life or final item added to streaming before his death. “Newest” can refer to recording date or official release date. The answers below keep those categories separate.
What was Juice WRLD’s first song?
“Forever” is generally documented as Juice WRLD’s first publicly released song. He uploaded it to SoundCloud in 2015 while using the name JuicetheKidd. He recorded much of his earliest material on a phone before his setup and collaborator network expanded.
“Forever” should not be confused with his first breakthrough song. That was “All Girls Are the Same” in 2017–2018. It also was not his first Nick Mira-produced track; that distinction is commonly given to “Too Much Cash,” released in 2017. His first solo studio-album track is the “Intro” to Goodbye & Good Riddance, but that is an album-sequencing answer rather than the beginning of his career.
What was the last Juice WRLD song released before he died?
“Bandit” with YoungBoy Never Broke Again was the final newly issued single of Juice WRLD’s lifetime. It was released October 4, 2019, and later peaked at No. 10 on the Billboard Hot 100. Its confident, street-rap tone makes it a contrast to the way his career is often remembered only through sad songs.
“Let Me Know (I Wonder Why Freestyle)” can create confusion because an official streaming single page is dated 2019 and the song gained renewed attention late that year. The recording, however, came from his 2017 9 9 9 era. Treating a reissue of older material as the final newly created lifetime single would erase the difference between recording history and platform release history.
What was the last song Juice WRLD recorded?
No reliable public source establishes one definitive final recording. Juice WRLD recorded at high volume, often making several songs in a session. Files can have session dates, export dates, later mix dates and renamed versions. Unless the estate or engineers publish a verified session chronology, any confident claim that a particular leak was “the last song he recorded” should be treated cautiously.
“Bad Boy” with Young Thug is sometimes pulled into the discussion because its Cole Bennett video was the last music video Juice WRLD filmed before his death. That makes it the last known filmed visual, not automatically the last song he recorded.
What is the newest Juice WRLD song in 2026?
As of July 20, 2026, the newest official lead-billed Juice WRLD release is “We Don’t Get Along” with Marshmello. The official Apple Music single page dates it March 6, 2026 and lists a runtime of 2:29. It follows “The Way” with XXXTENTACION and the “whoa (mind in awe)” remix from 2025.
“We Don’t Get Along” returns to the guitar, trap percussion and relationship conflict associated with Juice WRLD’s melodic work. It also extends a productive history with Marshmello that includes “Come & Go,” “Hate the Other Side” and “Bye Bye.” The release is posthumous: it uses a vocal recorded before Juice WRLD’s death, finished and distributed later through authorised partners.
How is Juice WRLD still releasing songs?
Artists routinely leave behind multitrack sessions, alternate takes, demos and finished masters. Juice WRLD’s archive is unusually large because improvisation let him record complete song ideas quickly. After his death, his estate and label could select recordings, clear samples and collaborators, finish production, mix and master the audio, then issue it officially.
That process does not mean an AI is generating new Juice WRLD performances. An authorised posthumous release should be based on recorded vocals and credited human work. Production may be revised after the original session, features can be added and arrangements can change, which is why transparent credits and careful edition notes matter.
How many songs does Juice WRLD have?
There is no single permanent number that answers every version of this question. A defensible answer depends on whether the count includes features, skits, clean editions, remixes, videos, leaks and alternate takes.
Here are three useful measurements as of July 2026:
- Five solo studio albums contain 97 track slots in their standard/latest principal sequences: 16 on Goodbye & Good Riddance, 22 on Death Race for Love, 22 on Legends Never Die, 18 on Fighting Demons and 19 on The Party Never Ends 2.0. That total includes skits, interludes and “Goodbye,” which is performed by The Kid LAROI.
- Add the 16-track WRLD ON DRUGS project and the major-project total reaches 113 track slots. Several of those tracks do not contain a Juice WRLD lead vocal, and some songs also appear elsewhere in expanded editions.
- The Spotify performance tracker used here listed 177 credited rows: 127 as lead, 98 solo and 50 as a feature. Rows include alternate versions and platform-specific duplicates, so 177 is not a count of unique compositions.
The practical conclusion is that more than 100 officially released Juice WRLD performances and lead-billed tracks are available once albums, EPs, standalone singles and collaborations are combined. An exact “unique official songs” figure requires a database with a declared rule for alternate versions and interludes, and it will change whenever the estate releases another authorised track.
Did Juice WRLD record 2,000 unreleased songs?
Reports and collaborator accounts have often described a vault containing roughly 2,000 recordings, and some claims go higher. That figure should be understood as an estimate of archived material, not 2,000 finished, cleared and releasable songs. One session can produce multiple takes; one composition can have several filenames; some recordings use uncleared samples; some are incomplete; and leaks create duplicate fan titles.
There is therefore no responsible way to add “2,000” to the official-discography count. The official catalogue and the wider recording archive are different things.
Most popular Juice WRLD songs by Spotify streams
The table below ranks lead-billed Juice WRLD tracks, excluding songs where another artist is the principal lead and Juice appears as a feature. That is why “Godzilla,” “Hate Me,” “1400 / 999 Freestyle,” “Ransom (Remix)” and “GO” do not appear even though they have enormous totals.
Figures come from the Kworb Spotify artist tracker, last updated July 19, 2026. They are rounded for readability and will increase after publication.
| Rank | Song | Release context | Approx. Spotify streams |
|---|---|---|---|
| 1 | Lucid Dreams | Goodbye & Good Riddance | 3.167 billion |
| 2 | All Girls Are the Same | Goodbye & Good Riddance | 2.165 billion |
| 3 | Robbery | Death Race for Love | 1.593 billion |
| 4 | Come & Go (with Marshmello) | Legends Never Die | 1.160 billion |
| 5 | Wishing Well | Legends Never Die | 1.143 billion |
| 6 | Lean Wit Me | Goodbye & Good Riddance | 1.133 billion |
| 7 | Bandit (with YoungBoy Never Broke Again) | 2019 single / later bonus track | 1.107 billion |
| 8 | Armed and Dangerous | 2018 single / later album addition | 973.9 million |
| 9 | Legends | Too Soon.. | 822.3 million |
| 10 | Wasted (feat. Lil Uzi Vert) | Goodbye & Good Riddance | 802.3 million |
| 11 | Let Me Know (I Wonder Why Freestyle) | 9 9 9 era / 2019 streaming single | 784.9 million |
| 12 | Righteous | Legends Never Die | 656.1 million |
| 13 | Empty | Death Race for Love | 627.6 million |
| 14 | Black & White | Goodbye & Good Riddance | 625.2 million |
| 15 | Hide (feat. Seezyn) | Spider-Man: Into the Spider-Verse | 611.4 million |
| 16 | Smile (with The Weeknd) | Legends Never Die | 543.2 million |
| 17 | Conversations | Legends Never Die | 540.3 million |
| 18 | Hate the Other Side | Legends Never Die | 491.6 million |
| 19 | Fast | Death Race for Love | 458.1 million |
| 20 | Stay High | Legends Never Die | 441.6 million |
This is a popularity ranking, not a quality ranking. Spotify totals favour songs released earlier, songs placed on large playlists and tracks with broad crossover appeal. A 2024 or 2026 song cannot accumulate eight years of listening in two years. The next section therefore uses editorial criteria rather than raw volume.
The 25 best Juice WRLD songs
No “best Juice WRLD songs” list can be objective. This ranking weighs songwriting, vocal performance, production, historical importance, emotional clarity and how well each track represents a distinct part of his range. It favours officially released lead songs so that every selection can be heard through authorised services.
-
Lucid Dreams
The obvious choice is still the correct one. “Lucid Dreams” condenses the early Juice WRLD formula into a song that needs no explanation: unmistakable guitar, immediate melodic contour, one emotional problem and a vocal that sounds conversational even at its most dramatic. Its scale did not come from trend alone. The record gives a complicated feeling a shape listeners can remember after one chorus.
-
Lean Wit Me
“Lean Wit Me” is catchier than its subject should be, and that tension is the point. It moves between invitation, confession and warning without turning into a lecture. The production leaves room around the voice, while the melody makes every change of thought feel connected. It may be the clearest example of Juice WRLD exposing a destructive cycle rather than simply glamourising it.
-
Robbery
On “Robbery,” heartbreak becomes theatre. The vocal rises, cracks, stretches and retreats as if the performance is happening at the same speed as the memory. Nick Mira’s piano-led production provides enough grandeur for the emotion without overcrowding it. The song also proved that Juice WRLD could repeat the commercial force of his debut rather than remain tied to one breakthrough.
-
All Girls Are the Same
The generalisation in the title is adolescent and defensive; the details underneath it reveal hurt. That contradiction introduced the public Juice WRLD persona. The song is melodically economical, rhythmically loose and instantly recognisable. More than any early track, it established the voice that major-label rap had not yet turned into a category.
-
Righteous
“Righteous” feels carefully preserved rather than aggressively rebuilt. Its open atmosphere lets Juice WRLD’s voice carry the song, and the delivery holds fear, fatigue and beauty together without needing a giant climax. As the first posthumous solo single, it also set a respectful standard for how archival material could be introduced.
-
Wishing Well
Few songs explain Juice WRLD’s enduring connection with listeners more clearly. The melody is bright enough to travel, while the subject remains plainly painful. “Wishing Well” does not resolve its conflict; it makes the inability to resolve it audible. That honesty gives the track importance beyond its streaming total.
-
Empty
The opener to Death Race for Love is one of his most complete album performances. The hook is large, the verses stay focused and the beat supplies motion without changing the emotional temperature. “Empty” bridges the compact heartbreak songs of the debut and the wider sonic world of the second album.
-
Flaws and Sins
Juice WRLD is often reduced to breakup music, but “Flaws and Sins” shows how convincing he could be while in love. The performance feels delighted, specific and slightly overwhelmed. Its warmth makes the song stand out in a catalogue frequently organised around pain.
-
Armed and Dangerous
This is the correction to anyone who thinks Juice WRLD had one emotional setting. He sounds light, funny and completely in control of the pocket. The song converts flexing into melodic play and remains one of the best examples of his ability to create momentum without an oversized arrangement.
-
Legends
Written in a period of public mourning, “Legends” became more haunting after Juice WRLD’s own death. Its importance does not depend on retrospective tragedy, however. The song is concise, reflective and built around a question his generation had already been forced to confront.
-
Fast
“Fast” treats success as acceleration. The vocal is calm, but the perspective is uneasy: life is moving, people are changing and there is no obvious brake. It is one of his best songs about fame because it avoids the usual victory narrative.
-
Black & White
The surface is a party song; the structure underneath is ominous. That duality made “Black & White” a defining debut-album track. Its group-ready hook demonstrates how Juice WRLD could make private risk feel communal without hiding the consequences entirely.
-
Rich and Blind
“Rich and Blind” carries more reflection than its compact runtime suggests. Juice WRLD connects success, mortality, pressure and the desire to help listeners while keeping the song melodic. It is an essential bridge between his public message and the 999 idea of turning pain into movement.
-
Let Me Know (I Wonder Why Freestyle)
This early recording displays the looseness behind his later polish. The phrasing feels discovered in real time, yet the central melody is strong enough to survive a delayed streaming revival. Its popularity also shows why early SoundCloud material should not be dismissed as merely pre-career.
-
Conversations
“Conversations” gives anxiety a simple external image, then drives it with a hook built for repetition. The arrangement is energetic enough for playlists, but the song never becomes carefree. It is one of the most replayable tracks on Legends Never Die.
-
I’ll Be Fine
The final song on the standard Goodbye & Good Riddance sequence claims stability while repeatedly undermining it. That unresolved ending suits the album better than a neat recovery arc would. The vocal glides, but the content keeps pulling against the title.
-
Bandit
“Bandit” is historically significant as the final newly released single of his lifetime, but it earns its place through performance. Juice WRLD sounds playful and forceful beside YoungBoy Never Broke Again, using a tougher cadence without losing the melodic ease that identifies him.
-
Come & Go
Marshmello surrounds Juice WRLD’s vocal with guitar, electronic lift and a festival-scale release. The hybrid could have felt calculated; instead, his melody gives it continuity. It remains the clearest demonstration that his songwriting could travel from emo rap into global pop and EDM spaces.
-
The Bees Knees
This two-part Death Race for Love track is a range test. Juice WRLD moves through pockets and intensities while preserving his identity across the beat transition. It is not the simplest entry point, but it is one of the best answers to listeners who underestimate his rapping.
-
Stay High
Short, urgent and highly replayable, “Stay High” turns a difficult subject into forward motion. The vocal rhythm is as important as the melody; each phrase pushes into the next. It is a strong example of posthumous curation finding a complete, focused performance.
-
Cigarettes
“Cigarettes” became a fan favourite before its official release and then found a legitimate place in the expanded Fighting Demons era. Its romantic premise is simple, but the hook has the effortless shape that made Juice WRLD’s improvisational writing sound composed.
-
Burn
The opening of Fighting Demons gives Juice WRLD’s internal conflict cinematic scale. The production is more interventionist than on his early records, yet the voice remains central. “Burn” works because the arrangement amplifies the pressure already present in the performance.
-
Man of the Year
Rock influence was always part of Juice WRLD’s musical vocabulary. “Man of the Year” lets it move to the foreground through guitar, live-band energy and a celebratory melody that still contains self-doubt. It points toward directions he might have explored further.
-
Empty Out Your Pockets
The standout from The Party Never Ends sounds immediate without feeling trapped in 2018. Nick Mira’s loop gives the vocal a bright runway, and Juice WRLD changes cadence with casual precision. Its rapid streaming growth shows that later archival releases can connect beyond nostalgia when the song itself is strong.
-
The Light
Released officially in 2023, “The Light” offers a comparatively hopeful romantic perspective. Its cleaner emotional direction and accessible melody make it useful for listeners who admire Juice WRLD’s voice but do not want to begin with his darkest material.
Honourable mentions include “Wasted,” “Used To,” “Hear Me Calling,” “Who Shot Cupid?,” “Blood on My Jeans,” “Up Up and Away,” “Already Dead,” “Sometimes,” “KTM Drip,” “Adore You,” “Fine China,” “Hard Work Pays Off,” “1400 / 999 Freestyle,” “Godzilla,” “Hide” and “The Way.” A list focused on technical rapping, features or love songs would order the catalogue differently.
Juice WRLD songs by mood and purpose
Listeners often know the feeling they want before they know the album. These groups are editorial listening paths, not rigid genre labels. Several songs belong in more than one section because Juice WRLD regularly placed confidence, grief, romance and dependency inside the same performance.
Saddest Juice WRLD songs
- Wishing Well — direct confrontation with distress and dependency.
- Righteous — quiet fear delivered with unusual intimacy.
- Already Dead — emotional numbness without a protective persona.
- Empty — loneliness made into a large melodic opener.
- Sometimes — isolation, self-awareness and repeated internal conflict.
- Dark Place — an early, extremely vulnerable SoundCloud-era recording; approach with care.
- Denial — companion to “Dark Place” from the early catalogue.
- My Life in a Nutshell — a bleak closing summary on Fighting Demons.
- Legends — grief for young artists and fear of joining them.
- Rich and Blind — success unable to cancel mortality or pressure.
- Can’t Die — memory and death framed through emotional disconnection.
- Used To — breakup pain stripped of the debut’s biggest hooks.
- Scared of Love — fear of attachment rather than simple rejection.
- Burn — inner crisis given cinematic force.
- Oxycodone — one of the most sombre moments on the final album.
These songs can be meaningful to listeners, but they are not a substitute for support. Anyone dealing with substance dependency, self-harm or a mental-health crisis should contact an appropriate professional or local crisis service. Live Free 999 also connects Juice WRLD’s legacy with preventative mental-health and dependency resources.
Best Juice WRLD love songs
- Flaws and Sins — the essential choice: affectionate, specific and vocally alive.
- Desire — uncomplicated melodic devotion.
- Won’t Let Go — intense commitment with Juice WRLD’s characteristic darkness.
- Hear Me Calling — romantic pursuit over a lighter rhythmic palette.
- Blood on My Jeans — loyalty and vulnerability beside harder imagery.
- Life’s a Mess — two imperfect people finding connection.
- The Light — one of the most hopeful official love songs.
- Girl of My Dreams — melodic collaboration with SUGA.
- Cigarettes — fan-favourite romantic hook with a dependent edge.
- Adore You — direct love song from The Party Never Ends.
- I Want It — soft, floating vocal performance.
- Smile — wanting happiness for someone while accepting distance.
Hype and aggressive Juice WRLD songs
- Armed and Dangerous
- Bandit
- Syphilis
- Out My Way
- Big
- ON GOD
- 1400 / 999 Freestyle with Trippie Redd
- Nuketown with Ski Mask the Slump God
- Fine China with Future
- Realer N Realer with Future
- KTM Drip
- Barbarian
- Empty Out Your Pockets
- Matt Hardy 999 with Trippie Redd
- Doomsday with Cordae
For a workout or high-energy sequence, begin with “Armed and Dangerous,” “Bandit,” “Nuketown,” “1400 / 999 Freestyle” and “KTM Drip.” The feature-heavy tracks also make clear that Juice WRLD could match more aggressive rappers without abandoning melody.
Clean Juice WRLD songs: what “clean” actually means
“Clean Juice WRLD songs” is a version-specific query. Most of his major projects contain explicit language or mature themes, and a title cannot tell you whether the audio has been edited. Streaming services may offer separate clean editions of albums and singles with the same artwork. Always check for the Clean label or the absence of the explicit-content marker on the exact version you plan to play.
Official clean edits are commonly available for major songs such as “Lucid Dreams,” “All Girls Are the Same,” “Lean Wit Me,” “Robbery,” “Come & Go,” “Wishing Well” and other album singles. An edited word does not make the subject child-friendly: songs can still address addiction, death, sex, weapons or emotional crisis. For schools, radio, family events or brand use, review the entire clean recording rather than relying on a playlist title.
“Hide” from Spider-Man: Into the Spider-Verse and “The Light” may suit broader settings better than the darkest album material, but content standards differ. The safest workflow is to audition the exact official file from beginning to end.
How Juice WRLD’s sound changed across the songs
Juice WRLD is commonly filed under emo rap, but the catalogue is wider than that label. His work sits at an intersection: Chicago rap, Southern trap, pop melody, R&B phrasing, emo confession, pop-punk harmony and rock performance. Understanding how those pieces move across the albums makes the discography easier to navigate.
1. Early songs: finding melody inside rap
The JuicetheKidd and early SoundCloud recordings document experimentation. Some tracks lean toward conventional rap; others discover the elongated vowels, looping refrains and open emotional language that became his signature. By the 9 9 9 period, melody was no longer decoration placed on a rap verse. It was the organising principle of the song.
Nick Mira’s production was crucial. Guitar or keyboard loops established a strong mood without occupying every frequency, and drums gave the vocal a stable half-time pocket. Juice WRLD could then move between singing and rapping without the instrumental demanding a formal boundary between them.
2. Goodbye & Good Riddance: one emotional world
The debut is often the fan favourite because it feels like a complete story. Repeated topics and related production are strengths here, not limitations. The album captures the tunnel vision of a breakup: every memory returns to the same unresolved person, every attempt at confidence exposes another wound and every form of escape becomes part of the problem.
The songs are also structurally efficient. Hooks arrive early, verses rarely wander far from the premise and the skits reinforce the narrative. This is why the album can feel more cohesive than later releases even though Death Race for Love displays more technical range.
3. WRLD ON DRUGS: learning through collaboration
Future’s influence on modern melodic trap predates the project, but working beside him turned influence into direct interaction. Juice WRLD had to share hooks, leave room for another voice and adapt to a guest-heavy Atlanta tape. The result is uneven by design and valuable because of it. “Fine China,” “Realer N Realer” and “Hard Work Pays Off” show how quickly he could become part of another artist’s world.
4. Death Race for Love: the range expands
The second solo album is where the “sad singer” description stops working. “Syphilis” is abrasive; “10 Feet” is dense and jazz-tinted; “Hear Me Calling” carries tropical colour; “Flaws and Sins” is openly affectionate; “The Bees Knees” changes form mid-song. Even the familiar heartbreak tracks have larger arrangements and more dramatic vocal choices.
Artists studying cadence can hear the underlying skill more clearly here. Juice WRLD does not simply place one melody over every beat. He changes phrase length, delays entry, compresses syllables and switches from legato singing to percussive rap. BTR’s guide to improving rap flow and delivery explains those pocket-level decisions in practical terms.
5. The posthumous catalogue: curation becomes part of the sound
On music released after an artist’s death, the listener hears two timelines at once: the original vocal session and the later decision about how to present it. A producer may rebuild drums, clear or replace a sample, shorten a section, add a feature or choose one take from several. That does not make every posthumous record inauthentic, but it means the finished album cannot be analysed as if Juice WRLD personally approved every sequence and mix.
Legends Never Die is the most cohesive posthumous set because its curation creates a clear emotional arc. Fighting Demons is darker and more compilation-like. The Party Never Ends attempts to restore more of the confident, high-energy performer, especially in its middle and later tracks.
6. Freestyle as songwriting infrastructure
Juice WRLD’s speed is not a side note to the discography; it explains why the catalogue is so large. Collaborators repeatedly described him building songs at the microphone, improvising hooks and verses, then recording alternate takes. Public radio sessions proved the off-the-dome vocabulary and endurance behind that workflow.
Freestyling did not mean that every commercial record was an untouched first take. It meant the raw material arrived through performance rather than slow line-by-line drafting. Producers, engineers and Juice WRLD himself could still select, repeat, arrange and refine. The distinction matters: spontaneity generated options; curation made the master.
For a broader history of the form, see BTR’s guide to the best freestyle raps. Rappers who want to practise the underlying skill can use a beat with open vocal space, record uninterrupted passes and review cadence after the performance instead of stopping after every imperfect bar.
7. Tempo matters less than pocket
Many melodic trap instrumentals can be counted at a slower pulse or in double time. A beat felt around 80 BPM may appear as 160 BPM in a digital audio workstation. Juice WRLD’s phrasing works because he can treat the same grid as wide melodic space, conversational rap or a faster subdivision.
Do not infer tempo from mood alone. A sad song can use active drums; a hype song can leave long vocal gaps. Producers and artists can check an exact recording with BTR’s online BPM analyser, then use the BPM and rap-flow guide to understand half-time and double-time counting.
8. His place in rap history
Juice WRLD belongs to several overlapping histories: Chicago hip-hop, the SoundCloud generation, emo rap, melodic trap and internet-native pop. He demonstrated that emotional directness could coexist with technical improvisation and that an artist influenced by rock did not need to abandon rap rhythm.
That combination influenced how a generation approached the studio: choose a beat, open the microphone, discover the hook through repetition and build several records before the session cools. He did not invent improvisational songwriting, but the scale of his success made the workflow visible. BTR’s guide to rap subgenres places emo rap and related styles within the wider culture rather than treating them as separate from hip-hop.
Juice WRLD unreleased songs, leaks and posthumous releases
The unreleased catalogue attracts enormous search interest, but it is also the part most likely to be described inaccurately. “Unreleased Juice WRLD song” can refer to at least five different things:
- A finished master held in the archive that has never been distributed.
- A demo or alternate take of a song that later received an official release.
- A song blocked by sample, feature or contractual clearance.
- A leaked file shared without authorisation, sometimes under a fan-created title.
- A snippet heard in a livestream, studio video or low-quality preview.
Those categories cannot be counted as equal finished songs. A fan spreadsheet may list one recording several times because the session filename, leaked title and eventual official title differ. Conversely, one long studio session may contain multiple genuinely separate songs. Without the estate’s recording database, outsiders cannot resolve every duplicate.
Why unreleased Juice WRLD songs have multiple names
Official titles are often assigned late in a release process. Before that point, engineers may label sessions by date, a memorable phrase, a beat name or a working title. A leaked file can acquire another nickname from uploaders. If the estate later releases the recording under a final title, all of those names can remain searchable even though they point to one composition.
“Hurt Me,” for example, was known to many early listeners as “Sticks & Stones.” “Not Enough” circulated under another working identity before official release. These cases show why title matching is necessary before adding rows to a catalogue count.
How to verify whether a song is official
- Check the verified Juice WRLD artist page on a major streaming service.
- Look for Grade A, Interscope or the relevant authorised label in the copyright line.
- Confirm the release through Juice WRLD’s official YouTube channel or label announcement.
- Compare songwriter, producer and performer credits when similarly titled versions exist.
- Do not treat cover art, a high view count or the word “official” in an uploader’s title as proof.
This article does not link to leaks or unauthorised downloads. Beyond copyright and artist-rights concerns, leak sites are unreliable evidence: files can be edited, falsely titled, combined with fan vocals or incorrectly dated.
Why posthumous versions can sound different from leaks
A leaked demo may use an uncleared sample, a rough vocal balance or a temporary arrangement. An official team may replace instrumentation, edit the structure, choose a different take, add a collaborator and master the result for commercial release. Fans may prefer the demo because it is familiar, while the label may have legal or technical reasons for changing it.
The right editorial response is transparency. Reviews should identify when production or features were added later and avoid claiming that Juice WRLD approved choices made after his death. Credits, release notes and interviews with the original collaborators are stronger evidence than assumptions based on fan familiarity.
Where to start with Juice WRLD songs
A catalogue this large is easier to enter through a route than a shuffle button. Choose the path that matches what you want to hear.
Route 1: the 45-minute essentials playlist
- All Girls Are the Same
- Lucid Dreams
- Lean Wit Me
- Armed and Dangerous
- Robbery
- Empty
- Flaws and Sins
- Bandit
- Legends
- Righteous
- Wishing Well
- Come & Go
- Burn
- Empty Out Your Pockets
- We Don’t Get Along
This sequence moves chronologically enough to show change without becoming a history lesson. It includes heartbreak, rapping, love, crossover pop and each major posthumous era.
Route 2: the best complete album
Play Goodbye & Good Riddance from beginning to end if cohesion matters most. Play Death Race for Love if you want the broadest display of Juice WRLD’s range while he was alive. Play Legends Never Die for the strongest posthumous album experience.
Route 3: Juice WRLD the rapper
Use “10 Feet,” “The Bees Knees,” “Out My Way,” “Syphilis,” “Armed and Dangerous,” “1400 / 999 Freestyle,” “Nuketown,” “7 AM Freestyle,” “Doomsday” and “Bandit.” This route corrects the idea that melody replaced rap technique.
Route 4: softer and more hopeful songs
Start with “Flaws and Sins,” “Hear Me Calling,” “The Light,” “Life’s a Mess,” “Up Up and Away,” “Hide,” “Girl of My Dreams” and “Adore You.” The subjects are not always carefree, but the listening experience is less relentlessly dark.
Route 5: the posthumous story
Listen in release order: “Righteous,” Legends Never Die, “Bad Boy,” Fighting Demons, “Cigarettes,” “Sometimes,” “In My Head,” “Face 2 Face,” “The Light,” The Pre-Party (Extended), The Party Never Ends 2.0, “The Way” and “We Don’t Get Along.” Read credits and edition notes as you go; curation is part of the history.
Frequently asked questions about Juice WRLD songs
How many official Juice WRLD songs are there?
There is no permanent total because features, remixes, clean versions, interludes and posthumous releases can be counted differently. His five principal solo-album sequences contain 97 track slots. A July 2026 Spotify tracker listed 127 lead-billed rows and 177 total credited rows, but those figures include alternate versions and are not counts of unique compositions.
How many Juice WRLD albums are there?
There are five solo studio albums: Goodbye & Good Riddance, Death Race for Love, Legends Never Die, Fighting Demons and The Party Never Ends. The first two were released during his life; the final three are posthumous. WRLD ON DRUGS with Future is a separate collaborative album-length mixtape.
What are the Juice WRLD albums in order?
The solo studio albums in release order are Goodbye & Good Riddance (2018), Death Race for Love (2019), Legends Never Die (2020), Fighting Demons (2021) and The Party Never Ends (2024). Place the 2018 Future collaboration WRLD ON DRUGS between the first two when following all major projects.
What was Juice WRLD’s first song?
“Forever,” uploaded to SoundCloud in 2015 under the name JuicetheKidd, is generally documented as his first publicly released song. “All Girls Are the Same” was the later breakthrough, and “Lucid Dreams” became the crossover hit.
What was Juice WRLD’s last song?
“Bandit” with YoungBoy Never Broke Again was the final newly issued single during his lifetime, released October 4, 2019. No authoritative public session chronology identifies the last song he recorded. “Bad Boy” is notable as the last music video he filmed, which is a different distinction.
What is the newest Juice WRLD song?
As of July 20, 2026, the newest official lead-billed release is “We Don’t Get Along” with Marshmello. It was released March 6, 2026. A future authorised release would change this answer, which is why the article displays its review date.
What is Juice WRLD’s most popular song?
“Lucid Dreams” is his biggest lead song by Spotify streams and his highest-charting US lead hit. It peaked at No. 2 on the Billboard Hot 100 and had approximately 3.17 billion Spotify streams in the July 19, 2026 snapshot used here.
What are the best Juice WRLD songs?
A strong ten-song starter set is “Lucid Dreams,” “Lean Wit Me,” “Robbery,” “All Girls Are the Same,” “Righteous,” “Wishing Well,” “Empty,” “Flaws and Sins,” “Armed and Dangerous” and “Legends.” The best selection changes if the listener prioritises love songs, technical rapping or features.
What is the best Juice WRLD album?
Goodbye & Good Riddance is the best choice for cohesion and cultural impact. Death Race for Love is the best demonstration of range and the last album he released during his life. Legends Never Die is the strongest posthumous project. The answer depends on the criterion.
Why are new Juice WRLD songs still being released?
Juice WRLD recorded a large archive of vocals and songs before his death. His estate, labels and collaborators can select authorised material, resolve rights, complete production, mix and master the recordings, and release them posthumously. These releases use archived vocals; they are not proof that new performances are being generated now.
How many unreleased Juice WRLD songs are there?
No public audited count exists. Reports often refer to roughly 2,000 archived recordings, but that estimate can include demos, alternate takes, incomplete sessions and duplicated files. It should not be treated as 2,000 finished songs ready for release.
What Juice WRLD songs feature XXXTENTACION?
The principal officially released pairings are “The Way,” issued in 2025 on the fifth-anniversary edition of Legends Never Die, and Juice WRLD’s posthumously released remix contribution to XXXTENTACION’s “whoa (mind in awe).” Both use archival vocals.
What Juice WRLD songs feature Eminem?
Juice WRLD sings the hook on Eminem’s “Godzilla.” Eminem appears with Juice WRLD and benny blanco on “Lace It.” Fighting Demons also includes the spoken interlude “Eminem Speaks,” but that is not a conventional two-rapper song.
What Juice WRLD songs are with Marshmello?
Major official collaborations include “Come & Go,” “Hate the Other Side” with Polo G and The Kid LAROI, “Bye Bye” and the 2026 single “We Don’t Get Along.” Marshmello’s electronic and guitar-driven production fits the pop-rock edge already present in Juice WRLD’s melodies.
Did Juice WRLD write his songs or freestyle them?
Freestyle was his default composition method in many sessions: he improvised melodies and words into the microphone, recorded complete passes and often made alternate takes. That does not mean every master was an unedited first attempt. Song selection, arrangement, comping, production and mixing still shaped the official releases.
What does 999 mean to Juice WRLD?
999 represented turning a bad situation, struggle or negative force into something positive that helps you move forward. Juice WRLD described it as an inversion of 666, and the symbol became central to his early projects and fan community.
Are there clean Juice WRLD songs?
Yes, official clean edits exist for many major singles and albums. Check the exact release for a Clean label or the absence of the explicit marker. Clean edits remove or replace language; they do not remove mature themes involving addiction, death, sex or weapons.
Sources and editorial method
This guide prioritises label tracklists and current platform pages, then uses chart and certification databases for scale. Core references checked July 20, 2026 include:
- Juice WRLD’s Apple Music artist catalogue for current releases and edition pages.
- Interscope’s Goodbye & Good Riddance LP listing for the standard 16-track sequence.
- Interscope’s Death Race for Love CD listing for the 22-track sequence.
- Interscope’s Legends Never Die vinyl listing for the core 22 tracks.
- Interscope’s Fighting Demons vinyl listing for the original 18-track programme.
- Interscope’s The Party Never Ends CD listing for the 19-track 2.0 programme and final-album description.
- Universal Music Canada’s The Pre-Party (Extended) announcement for its four-song tracklist.
- Apple Music’s “We Don’t Get Along” page for the March 6, 2026 release date.
- Kworb’s Juice WRLD Spotify tracker for the dated popularity table; totals are not treated as official unique-song counts.
- The RIAA Gold & Platinum database for US certifications.
- Recording Academy reporting for core biographical context.
Track names use the spelling shown by the principal official release where practical. Edition notes are included whenever a service’s visible count can be inflated by videos, clean duplicates or anniversary material. Streaming totals are rounded and date-stamped. “Best” selections are explicitly editorial; “most popular” selections use the stated dataset.
Final word: use the catalogue as a map, not a number
Juice WRLD’s discography is not difficult because the music lacks an entry point. It is difficult because the official catalogue, streaming editions and unofficial archive are constantly collapsed into one giant number. Once those layers are separated, the career becomes clear.
The lifetime arc runs from “Forever” and the 9 9 9 SoundCloud period through the focused heartbreak of Goodbye & Good Riddance, the Future collaboration and the expanded range of Death Race for Love. The posthumous arc begins with the carefully shaped Legends Never Die, moves through the darker Fighting Demons, reaches the label-designated final album The Party Never Ends and continues through authorised singles such as “The Way” and “We Don’t Get Along.”
The best way to understand Juice WRLD is not to chase every leaked filename. Listen to the official albums in order, compare the cohesive debut with the adventurous second album, then use the posthumous credits and edition notes to hear how the archive has been presented. The result is a much bigger artistic picture than “sad rap”: a melodic songwriter, instinctive freestyler, flexible collaborator and rapper whose songs continue to move between hip-hop, pop, rock and electronic audiences.
Explore more current independent hip-hop through BTR’s hip-hop and rap music directory. Artists studying the space Juice WRLD left for vocals can also browse rap beats or practise complete passes over freestyle rap beats. Study the method, but keep the voice your own.
Editorial note: This article is independent educational commentary based on publicly available releases and cited sources. Beats To Rap On is not affiliated with Juice WRLD, his estate, Grade A Productions or Interscope Records. No lyrics, leaked audio or unauthorised downloads are reproduced. Discussion of addiction and mental health is included respectfully and does not present substance use as a creative requirement.